essay Jannis Kounellis, Senza titolo, 1967 (Campi, Pappagallo, Cotoniera) by Christel Sauer As a complex spatial unity, they became one of the most frequently reproduced Kounellis works. In particular the parrot in front of the steel sheet, as a new definition of the picture, became a symbol of a contemporary art rigorously expanded both in content and form – with a specific reference to its imaginative development in Italy… [more]
